Dr. Hannibal Lecter (
cook_the_rude) wrote2015-06-26 12:55 am
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OOM: Treating Sinric
When Sinric follows Dr. Lecter to his office upstairs, he will find it's near the library, in an area of the non-linear rooms section that feels more business-like because of that location and the presence of the indoor chapel that had been used before Javert's church was finished.
It is small but functional, with clean-lined modernist furniture made of pale wood contrasting with the 18th and 19th century prints of Istanbul cityscapes and 'Turkish' harem scenes that were quite the fashion at the rococo period in ornate frames that adorn the walls. There are two comfortable chairs with end-tables, a small book-case, and a pale leather couch. There is a small drawing table with two straight-backed chairs that, at this moment, holds nothing but a flower arrangement. There are two doors, one slightly ajar to reveal a tiny pantry kitchen, the other firmly closed, with a covered lock that clearly labels it a bathroom door, lockable from the inside.
There are two floor-length windows obscured by pale, gauzy blinds, at the bottom of which a balcony is visible, and beyond its grate, the lake area, with a view to the stables, the garden, and the forge.
Dr. Lecter puts down his bag of medical supplies and gestures towards the couch.
It is small but functional, with clean-lined modernist furniture made of pale wood contrasting with the 18th and 19th century prints of Istanbul cityscapes and 'Turkish' harem scenes that were quite the fashion at the rococo period in ornate frames that adorn the walls. There are two comfortable chairs with end-tables, a small book-case, and a pale leather couch. There is a small drawing table with two straight-backed chairs that, at this moment, holds nothing but a flower arrangement. There are two doors, one slightly ajar to reveal a tiny pantry kitchen, the other firmly closed, with a covered lock that clearly labels it a bathroom door, lockable from the inside.
There are two floor-length windows obscured by pale, gauzy blinds, at the bottom of which a balcony is visible, and beyond its grate, the lake area, with a view to the stables, the garden, and the forge.
Dr. Lecter puts down his bag of medical supplies and gestures towards the couch.
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"He was on campaign when I was bought for the palace and for more than the first year I was there. When he returned, he came to inspect the new slaves and found me ill." A little smile pulls at his lips. "When I was well again, I was told I had been selected to be one of his personal slaves, his little birds. I'd never been so happy."
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"When I entered his rooms I was shaking like a leaf. He was so gentle. He picked me up and rocked me like a babe, soothing my fears and calming me down. He wanted to see my body but only to see that I had healed. After that he bade me dress and sit with him. We talked for many hours, until I started to nod with sleep. He put me in his own bed and held me through the night. I had never felt so safe, so protected."
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"But later?"
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"It was not for some time that I grew bold enough to ask for the kisses the older boys spoke of. Only when I showed my desire did he teach me the ways of pleasure."
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"And there is pleasure in bring satisfaction, in giving pleasure to another when there is shared desire." Certainly not in being used as rough and recklessly as he has been.
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Pause, as he changes to the next ball of gauze.
"The operatic castrati of 18th century Italy were quite popular, on the sly, for pleasing both men and women, while being arguably the most amazing singers in the history of classical western music. But we have no surviving records about what they felt, themselves."
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But he smiles. "I am very fond of singing. I am told my voice is very pleasing." There's a note of pride in his tone, even if muffled by the swelling in his throat.
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A shiver of panic passes through him at being exposed like this again but he fights it back and forces himself to stay still.
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"This is badly torn and should have some stitches," he declares.
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After that, nothing. The doctor busies himself with his instruments, and then, the entire area slowly starts tingling, and goes numb.
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The exposed position still triggers fear and panic but he swallows them back, forcing himself to stay still. Concentrating of breathing slow, he sings softly to himself, if hoarsely, in Farsi.
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His song breaks with little sobs every now and then as he fights to keep himself steady.
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He's trying very hard not to think about how weak he felt as they held him down.
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