Dr. Hannibal Lecter (
cook_the_rude) wrote2015-06-26 12:55 am
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
OOM: Treating Sinric
When Sinric follows Dr. Lecter to his office upstairs, he will find it's near the library, in an area of the non-linear rooms section that feels more business-like because of that location and the presence of the indoor chapel that had been used before Javert's church was finished.
It is small but functional, with clean-lined modernist furniture made of pale wood contrasting with the 18th and 19th century prints of Istanbul cityscapes and 'Turkish' harem scenes that were quite the fashion at the rococo period in ornate frames that adorn the walls. There are two comfortable chairs with end-tables, a small book-case, and a pale leather couch. There is a small drawing table with two straight-backed chairs that, at this moment, holds nothing but a flower arrangement. There are two doors, one slightly ajar to reveal a tiny pantry kitchen, the other firmly closed, with a covered lock that clearly labels it a bathroom door, lockable from the inside.
There are two floor-length windows obscured by pale, gauzy blinds, at the bottom of which a balcony is visible, and beyond its grate, the lake area, with a view to the stables, the garden, and the forge.
Dr. Lecter puts down his bag of medical supplies and gestures towards the couch.
It is small but functional, with clean-lined modernist furniture made of pale wood contrasting with the 18th and 19th century prints of Istanbul cityscapes and 'Turkish' harem scenes that were quite the fashion at the rococo period in ornate frames that adorn the walls. There are two comfortable chairs with end-tables, a small book-case, and a pale leather couch. There is a small drawing table with two straight-backed chairs that, at this moment, holds nothing but a flower arrangement. There are two doors, one slightly ajar to reveal a tiny pantry kitchen, the other firmly closed, with a covered lock that clearly labels it a bathroom door, lockable from the inside.
There are two floor-length windows obscured by pale, gauzy blinds, at the bottom of which a balcony is visible, and beyond its grate, the lake area, with a view to the stables, the garden, and the forge.
Dr. Lecter puts down his bag of medical supplies and gestures towards the couch.
no subject
no subject
no subject
no subject
no subject
no subject
no subject
no subject
A long pause, while he sets out little balls of gauze, on beside the other, very neatly.
"And then it rose again, more splendid and vibrant than ever before. It is called Istanbul now, a Turkish mangling of the Greek eis ten polis, and still one of the most fascinating and most visited cities in the world. Perhaps I should go there next."
no subject
He returns to the couch, kneeling politely. "I put myself in your hands, sir."
no subject
no subject
His body is soft and lean, his chest curved with small breasts. Gelded at a young age, his penis is very small. Much of his body is bruised by larger hands - his nipples swollen and abused, his lower back and buttocks marked from the application of a whip or fine belt. His upper thigh had been bandaged but the shadow of blood is visible through the cloth on the inner curve.
He lowers himself onto the couch with care, his eyes lowered.
no subject
"You are a eunuch," he states. "We don't see those any more in my time, except in India; and it's debatable if the hijra are eunuchs or a third sex. How old were you when the procedure was done?"
no subject
no subject
"Do you remember at all?"
He pours a sharp-smelling clear liquid onto a piece of folded gauze.
no subject
A small smile crosses his features. "He came to me; my Emperor. I had never seen him before that night. He sat by my bedside and washed my brow with cool water. He told me I should fight to live, that I would be cared for and protected but that I must fight. He stayed with me until the fever broke."
no subject
He takes one of Sinric's wrists in his hand and starts cleaning the injuries with the soaked gauze.
"This will sting, but it means it cleans out the dirt in your injuries."
no subject
"He was on campaign when I was bought for the palace and for more than the first year I was there. When he returned, he came to inspect the new slaves and found me ill." A little smile pulls at his lips. "When I was well again, I was told I had been selected to be one of his personal slaves, his little birds. I'd never been so happy."
no subject
no subject
"When I entered his rooms I was shaking like a leaf. He was so gentle. He picked me up and rocked me like a babe, soothing my fears and calming me down. He wanted to see my body but only to see that I had healed. After that he bade me dress and sit with him. We talked for many hours, until I started to nod with sleep. He put me in his own bed and held me through the night. I had never felt so safe, so protected."
no subject
"But later?"
no subject
"It was not for some time that I grew bold enough to ask for the kisses the older boys spoke of. Only when I showed my desire did he teach me the ways of pleasure."
no subject
no subject
"And there is pleasure in bring satisfaction, in giving pleasure to another when there is shared desire." Certainly not in being used as rough and recklessly as he has been.
no subject
Pause, as he changes to the next ball of gauze.
"The operatic castrati of 18th century Italy were quite popular, on the sly, for pleasing both men and women, while being arguably the most amazing singers in the history of classical western music. But we have no surviving records about what they felt, themselves."
no subject
But he smiles. "I am very fond of singing. I am told my voice is very pleasing." There's a note of pride in his tone, even if muffled by the swelling in his throat.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)